In Coralie Fargeat's new feminist scary film The Substance, harmful social charm specifications are the true monsters. They (women objectification, the fingertip of "the aged," the expansion of a sector built on body adjustment) feed a monster of a cycle that leads Demi Moore's fading TV individual character Elisabeth https://theliberteens2024.thecomputerwiki.com/5084195/the_substance
Margaret Qualley
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